Album Review: The Reveal Unleash ‘Hieroglyphics’

Photo: Gabriel Goulding

The Reveal released their latest studio album, Hieroglyphics, on September 30, 2024, under Memento Mori. This Nashville-based, genre-defining trio packed the record with nine highly energetic songs that blend their signature psychedelic rock with Brother Dusty’s funk-heavy, groovy bass lines and Josh Norfleet’s sharp guitar riffs. The already rich mix is further enhanced by Ian Fleming’s raw and energetic drumming.

The album opens with “My Chariot,” setting the tone with its spirited drums and bass, clearly defining the sound that The Reveal aims to maintain throughout the record.

“Rally The Troops” stands out as a particularly strong track heavily influenced by Rage Against The Machine. It features a military march tempo complemented by a groovy bass line and a catchy guitar riff, both of which underscore Brother Dusty’s commanding vocals. The funkier songs on the album, “Mama Don’t Know (Gypsy Lady)” and “Sorry For The Ruckus,” nod to the early Red Hot Chili Peppers while infusing extra psychedelia along with grittier drums and vocals.

Experimentation is key for The Reveal on this record. Hieroglyphics surprises listeners with a synth-heavy banger that combines groovy desert music with upbeat vocal melodies, ensuring its place as a staple in future setlists. The album concludes on a heavier note with “A” and “The Homage.” “A” maintains a desert vibe with its slithering guitars and backing vocals, while “The Homage” escalates in tempo, introducing Middle-Eastern melodies and a raw edge reminiscent of early 2000s Nu Metal, leaving listeners unequivocally wanting more

With Hieroglyphics, The Reveal has masterfully reinterpreted their favorite musical influences producing a robust sound and nine groovy yet aggressive tracks. The album is  firmly anchored in the past yet remarkably contemporary, aligning seamlessly with current musical trends and possibly even setting the stage for future ones.