Embarking on a biographical venture through the lens of live music, our Photographer Spotlight Series aims to highlight photographers’ talent and perspective — all while showcasing their skill to the creative community and rest of the world. These interviews aspire to provide a glimpse into the world of concert photography uniquely told by each individual and create a network for fellow photographers to link with one another and potential opportunities.
In this feature, we present Matt Martinez, who is based in Orange County, California. Matt currently shoots for Hunnypot Live.
Portfolio: https://redhareimages.com/
Instagram: @Red_HareImages
What do you shoot with and any favorite lenses?
I shoot with a Nikon z6ii as my main body, and love the 24-70 F/2.8. It’s my go to lens for most concerts. Though I love using my Sigma 85mm F/1.4 at larger venues.
Do you have a signature editing style or aesthetic to your photography?
I’ve never known how to describe my style, except maybe as high contrast.
How and when did you get into concert/music photography?
I started in 2016 when a buddy of mine knew I owned a camera, and asked me to come out to a show to take photos. He had no idea if I even knew how to use the camera (which I didn’t at the time.) But, he liked the photos enough, that he invited me to more shows.
Do you have a niche or specific genre that you tend to shoot?
I love covering metalcore, hard rock, and pop punks bands. Though I’m down to shoot anything out there. A fun subject to shoot is more than enough for me to head out to a show.
How do you approach capturing the performance energy and atmosphere in your work?
I personally love a tight portrait of the artist giving the crowd their all — and seeing the love and energy on their face and in their stage presence — or shoot wide and hope to capture the energy of the lighting.
Have you photographed any of your favorite artists or events? What do you consider to be your biggest accomplishments so far?
A bucket list band I recently finally checked off my list was shooting Extreme. Other than capturing photos of a band, there’s not a better feeling than when the lead singer notices the photographers singing at the top of their lungs in the photo pit while taking photos. And Gary Cherone spotted me singing my heart out, and that moment made my night. A goal of mine is to get back into festival coverage. I’ve covered a few festivals in the past and love them, but can’t seem to catch a break and get into any currently.
In a perfect world, what would be your dream photo job/opp?
I would love to be on tour with a band getting that all access pass to shoot all around the venue. The pit, the crowd, on stage, behind the band, section 500 of a stadium capturing the grandness of the show.
What is one thing you’d like to achieve in 2024?
I’d like to work for more bands directly. (Preferably at larger venues, but small local shows can be just as fun, if not more!)
Who in the creative community has inspired you or helped you on your journey?
I’m inspired by so many people I find online, but those who have had a more personal touch in influencing my photography and editing style would include: Heather Koepp, Matthew Belter, Erica Vincent, Nikkie Marie Kephart, Jamie Kaufman, Nikki Phillips, and Francesca Ludikar.
What is one misconception you’d like to clear up or a hot take you have regarding challenges or life as a concert photographer?
That we’re getting paid to do any of this, or you can make a living doing this. It definitely is possible, but I feel more people make it in Hollywood than people can make a living doing concert photography.
Additional photos by Matt:
