Embarking on a biographical venture through the lens of live music, our Photographer Spotlight Series aims to highlight photographers’ talent and perspective — all while showcasing their skill to the creative community and rest of the world. These interviews aspire to provide a glimpse into the world of concert photography uniquely told by each individual and create a network for fellow photographers to link with one another and potential opportunities.
In this feature, we present Angel Mejia, who is based in Los Angeles. Angel currently shoots for Tongue Tied Magazine, Square One Magazine, and ZRock’r Magazine.
Portfolio: https://angelmejiaphoto.com
Instagram: @this.is.not.a.photograph
What do you shoot with and any favorite lenses?
I shoot with a Fujifilm X-T4 and Fujifilm X-S10. my favorite lenses are the Fujifilm 50-140mm 2.8 and Sigma 17-35mm 1.8.
Do you have a signature editing style or aesthetic to your photography?
My editing style incorporates film grain for a vintage feel, with cool tones, especially blues, to create a timeless aesthetic.
How and when did you get into concert/music photography?
My journey into concert photography started unexpectedly in 2021. I got my camera to photograph my plants, but a friend’s band show sparked a passion for capturing live music.
Do you have a niche or specific genre that you tend to shoot?
Beyond the mainstream, intimate backyard and house shows are my canvas, where I document the energy of East LA’s underground rock and metal scene through captivating photos.
How do you approach capturing the performance energy and atmosphere in your work?
Fast shutter speeds lock in the explosive energy of mosh pits and guitar solos, while embracing the creative lighting of backyard shows. I capture not just the band’s raw emotion, but the crowd’s too, weaving a visual story of the entire experience.
Have you photographed any of your favorite artists or events? What do you consider to be your biggest accomplishments so far?
Boys Like Girls were my ultimate photo pit dream, and capturing their tour last year felt like living in a polaroid. From the moment I got the approval (yes, there were tears!), to the energy of the show, it was pure magic documented in every frame!
In a perfect world, what would be your dream photo job/opp?
Band’s long-term tour documenter. The chance to document a band’s entire journey on tour would be incredibly rewarding. Being there from the beginning, capturing their raw energy in intimate venues as they build their fanbase, then witnessing their growth as they headline major festivals — that kind of long-term storytelling project is a dream job for me. I know it’s impossible… but, who knows?
What is one thing you’d like to achieve in 2024?
In 2024, my sights are set on capturing the energy of a music festival through my lens!
Who in the creative community has inspired you or helped you on your journey?
Photographers Joe Calixto, Charles Zapata, TJ Flores, Meryl M and Erika Brosas have all been influential figures in my journey.
What is one misconception you’d like to clear up or a hot take you have regarding challenges or life as a concert photographer?
Music photography might seem like all rockstar access and glamorous nights, but the reality is wrangling with bad lighting, fighting for position in a sweaty mosh pit, and enduring long hours — all to capture those fleeting moments of raw emotion and energy that make live music unforgettable.
Additional photos by Angel:
